“This delicate debut feature amasses a wealth of quiet images that speak volumes.”

“New York Times Critics’ Pick

Jeannette Catsoulis, NEW YORK TIMES

Read the full review at THE NEW YORK TIMES

 

In delicate, dignified, soulful Stranger Things, writers-directors Eleanor Burke and Ron Eyal show a genuine gift for visual storytelling and emotion.

“Its theme — the capacity of the heart to make connections, under odd and unlikely circumstances — harbors something titanic.”

John Anderson, VARIETY

Download full review (.pdf)
Read the full review at VARIETY

 

“Utterly Transcendent

Ann Hornaday, THE WASHINGTON POST

Read the full review at THE WASHINGTON POST

 

“Gorgeously photographed … this subtly powerful piece of minimalist cinema exerts a haunting spell.”

Frank Scheck, THE HOLLYWOOD REPORTER

Read the full review at THE HOLLYWOOD REPORTER

 

“Vital and true

Heather Baysa, VILLAGE VOICE

Read the full review at THE VILLAGE VOICE

 

“Utterly fulfilling … an absolute must-see feature.”

Joshua Brunsting, GORDON AND THE WHALE

Read the full review at GORDON AND THE WHALE

 

“It’s the way this British indie lets its kindness-of-strangers narrative develop slowly through long silences, small glances and the gentlest of exchanges that sets it apart .

David Fear, TIME OUT NEW YORK

Read the full review at TIME OUT NEW YORK 

 

“’Only connect’—E.M. Forster’s recognition, expressed through Margaret Schlegel in Howards End, of the need for people to transcend class barriers—is the unspoken watchword of Stranger Things.”

“Burke (who photographed the film) and Eyal directed Stranger Things in a crisp realist style, favoring extremely tight close-ups that get under the skin … The nuanced performances by Collins (a major talent) and Akhtar (hilarious as the inept jihadist in Four Lions) fully bear out the directors’ belief in an actor-driven cinema.”

Graham Fuller, ART INFO

Download full article (.pdf)
Read the full review at ART INFO

 

“A delicately beautiful debut feature.”

Scott Macaulay, FILMMAKER MAGAZINE

Download full article (.pdf)
Read the full review at FILMMAKER MAGAZINE